The space
Nothing matches, and yet everything fits
The Alonso Cano facade has three balconies dressed with ferns — the most characteristic plant of New
Orleans — and French-style awnings that at night make it look like an American club. Before you see the
menu, the smell of spices has already greeted you.
Upstairs, three dining rooms open up, each with its own character: wallpaper by the designer William Morris,
antique mirrors, Budweiser neon signs over wood-panelled walls, plates illustrated by New Orleans painters.
No two chairs, plates or tablecloths are the same. That lack of uniformity is deliberate: every piece tells its
own story, and together they give the warmth of a house with a memory.
The light is low on purpose. There are no table turns here: the table is yours for the whole evening.